What Makes Andrew Scott So Good at Tragedy?
· nytimes.com · popularity 48/100 · 0 similar stories today
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Summary
Perhaps his doleful “hot priest” on “Fleabag” was first. Soon afterward came his Hamlet, a character all but synonymous with melancholy. Next, in a streaming play called “Three Kings,” he was both an unloved son and his hollowed-out father. Then, following the pandemic and in quick succession: a …
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